Faszination Organ

Faszination Orgel - Music for entrances and exits from five centuries for organ

Edited by Günter Kaluza

Titles :

• Anonymus (17. Jhdt.) : Batalla de V. tono
• Leon Boellmann (1862-1897) : Suite gothique : I. Introduction - Choral
• Leon Boellmann (1862-1897) : Suite gothique : II. Menuet gothique
• Edouard Batiste (1820-1876) : Intrada
• Günter Kaluza (*1944) : Entrée
• Jan Krtitel Kuchar (1751-1829) : Fughetta in a
• Félix Alexandre Guilmant (1837-1911) : Introduction et allegro sur un thème de Fedele Fenaroli
• Wolfgang Amadeus Mozart (1756-1791) : Fuga in g-moll KV 401
• Johann Gottfried Walther (1684-1748) : Lobet den Herren, den mächtigen König der Ehren
• Johann Sebastien Bach (1685-1750) : Gigue-Fuga BWV 577
• Heino Schubert (*1928) : Grand choeur
• François Clément Théodore Dubois (1837-1924) : Entrée
• Sigfrid Karg-Elert (1877-1933) : Praeludium Festivum op.78 Nr.1 über den Choral "Allein Got in der Höh' sei Ehr"

The collection Entrée and Sortie of the alignment Faszination Orgel (Spell of the Organ) contains a lot of fascinating pieces for organ from different epochs and countries. They are suitable for occasions from concerts to services, especially for entrances and exits, and give joy to the audience.

An important selection criterion was the medium level of difficulty. They selected literature belongs to the more unknown and less played pieces for organ. It is playable on every small and big organ which enables "Organ Pleno" - stops and ranks and uses a regular keyboard range. The two pieces from Boellman built an exception regarding the degree of popularity. They are part of the very famous Suite Gothique, the final movement of which, "Toccata", is technically demanding and requires a bigger organ. All this does not apply to the two movements presented here which are of medium difficulty.

For that the author wish the interpreters and also the audience a lot of joy with the diversified handling of the Queen of all musical instruments - the organ